Renaissance and baroque musical sources in the Americas
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Renaissance and baroque musical sources in the Americas

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Published by General Secretariat, Organization of American States in Washington .
Written in English

Subjects:

  • Music -- Bibliography.,
  • Music -- Manuscripts -- Catalogs.

Book details:

Edition Notes

Statementby Robert Stevenson.
GenreBibliography., Catalogs.
Classifications
LC ClassificationsML136 .A1S8
The Physical Object
Pagination346, 73 p. of music.
Number of Pages346
ID Numbers
Open LibraryOL17752871M

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ROBERT STEVENSON. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C.: Organization of American States, pp., music, appendix. $ There have been during the last two decades notable efforts in the cataloguing of colonial musical sources in Latin America.   MMMO (Medieval Music Manuscripts Online Database) is an international virtual library of music sources of the medieval period up to Web Library of Seventeenth-Century Music (WLSCM) WLSCM is sponsored by the Society for Seventeenth-Century Music, making available a growing catalogue of music in modern editions for scholars, performers, and students.   The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque Edition: 1st Edition. Renaissance and Baroque Music: A Comprehensive Survey by Friedrich Blume. Goodreads helps you keep track of books you want to read. Start by marking “Renaissance and Baroque Music: A Comprehensive Survey” as Want to Read: Want to Read. saving/5.

Journal of Renaissance and Baroque Music × Close Overlay A title history is the publication history of a journal and includes a listing of the family of related journals. The most common relationship is to a previous and/or continuing title, where a journal continues publishing with a change to its official title. Recent Researches in the Oral Traditions of Music (musical traditions that are either exclusively oral/aural or that are transmitted only in part through written sources) The series Music of the United States of America (MUSA) is a co-publication between A-R Editions and the American Musicological Society (AMS), and MUSA volumes are cross. The Renaissance and Baroque periods When Catherine de Médicis married King Henry II of France in , she brought from Italy a taste for entertainments in which dancing was prominent. Her encouragement established the court ballet (ballet de cour) as the foundation of classical ballet, the source of a new theatrical identity for music and a precursor of French opera.   There were a large number of musical composers in the baroque period such as Johann Sebastian Bach, George Fredric Handel, Antonio Vivaldi, Alexandro Scarlatti, Domenico Scarlatti, Henry Purcell, etc. Music written during the baroque period included a large number of genres such as operas, oratorios, cantatas, for vocal, while fugues, suites, sonatas, and many other genres made up .

The Lilien Partbooks in the Sonsfeld Collection (D-HRD Fü a): A Reconsideration of the Role of Eighteenth-Century Prussian Hautboisten and their Engagement in ‘Art’ Music - Volume 49 - . At this point in time, vocal music was still considered more important than instrumental. However, the growth of the consort and the increasing ability for instruments to play difficult music allowed for more instrumental compositions (this is especially important leading into the Baroque Era, the musical time following the Renaissance). With the advent of cheaper printing, music books became available and affordable making musical literacy spread dramatically. The musical style of the renaissance can be noted in the vocal forms by smoothly gliding melodies. This became regarded as the golden age of cappella style, which is music without instrumental accompaniment. -Italy was a leading center of Music. Composers came from the Flemish Region (Northern France, Belgium and Netherlands). -Though the church remained the major patron of music, the Kings and aristocrats competed for the finest composers. -Every educated person was expected to play an instrument and read musical notation.